Behind the Image: Reflective Dawn (Antelope Lake)

It is a fairly consistent occurrence in this area that a cold front comes through around the end of May or the first of June, often dashing many folks’ Memorial Day and gardening plans. I have come to refer to this event as the “Junuary” cold front. In 2020, the front was running a bit late and actually waited until the first week of June. By the time this cold snap invariably arrives, there have usually been numerous warm spring days at Antelope Lake. The lake is a fairly modest 1,000-acre impoundment that, while nearly 100 feet deep at the dam, has large areas that are only 20–40 feet deep with much even shallower. This means that it doesn’t take many warm spring days for the surface of the lake to warm up into the 60s Fahrenheit. When a blast of freezing air comes in and hits that warm water, it can lead to some foggy mornings on the water that can be absolutely magical for the landscape photographer. Such was the case when I arrived at this spot during the morning blue hour in early June as the waning “Strawberry” moon was setting and reflecting on the water along with clouds from the weakening cold front and the aforementioned fog. The whole scene was one I was absolutely compelled to venture out into the chilly air and photograph.

In addition to being one of my own personal favorites, this image has received some awards and accolades including:

Dreamlike blue-hour scene at Antelope Lake in Plumas County, California, captured as mist rises from the warm water after an early June storm. The setting Strawberry Moon glows above layers of dramatic clouds and calm reflections, framed by tall pine silhouettes and soft meadow grasses. The photograph blends serenity and power, revealing the atmospheric beauty created by cold air meeting the lake’s surface warmth. This award-winning landscape image from 2020 embodies the peaceful allure of the Sierra Nevada wilderness and the tranquil magic of dawn over Northern California’s mountain lakes.

Exposure/Gear Info:
Canon 6D Mark II
Canon 24–105 f/4L
32mm – ISO 100 – 2 exposures blended: 0.3 seconds for the foreground and 0.1 second for the sky
Post-production in Adobe Lightroom Classic and Photoshop

Prints available here.

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